Natural oak
Solid oak, natural polished finish
The range · 2026
From the entry point to the flagship, every Ars Aures loudspeaker is built on the same principles. The scale changes — the complexity of the crossover, the rigidity of the cabinet, the number of lacquering stages. The care does not.
Current range · Entry Audiophile
The entry point into the Ars Aures world. Two way floorstanding, bass reflex, built with the same design philosophy that governs the upper range of the maison: first-order crossover, woofers made to exclusive Ars Aures specifications, hand-worked cabinet, atelier-lacquered.
The cabinet — internal bracing, calibrated joints, wall layout designed to limit standing waves — follows the fifteen stages of the Stradivari luthiers' tradition. The paints are drawn from the automotive sector. Solid natural-wood baffle. Four standard finishes, unlimited customisation.
On the electro-acoustic side, the first-order crossover is hand-wound in the atelier and tuned to preserve time-phase coherence — the common thread across the entire catalogue. The 5 inches woofers are built to Ars Aures' own design, chosen for their neutral timbre and ability to restore the transients of piano and strings without perceptible compression. ScanSpeak tweeter. Internal wiring by Kimber Cable.
| Configuration | Two-way, bass reflex, floorstander |
|---|---|
| Midwoofer | 2 × 5" (Ars Aures spec) |
| Tweeter | 26 mm silk dome |
| Crossover | 6 dB/octave (first order) |
| Frequency response | 45 Hz – 20,000 Hz |
| Sensitivity | 91 dB |
| Impedance | 4 Ω |
| Cabinet | Mirror-lacquered natural wood plywood, solid-wood baffle |
| Dimensions (W×H×D) | 17 × 107 × 32.8 cm |
| Indicative range | Upon request |
Current range · Mid-High · Stand-mounted Monitor
The monitor version of the F-ONE, designed for stand-mounted use in medium-to-small listening rooms, recording studios and environments where the loudspeaker must disappear behind the music. Same design philosophy as the floorstander, re-proportioned for the compact form.
The cabinet preserves the acoustic rigour of the F-ONE: internal bracing, non-parallel wall layout, joints with calibrated rigidity. The lacquering follows Ars Aures' exacting production standards; the paints are derived from the automotive sector. Eight standard finishes, unlimited customisation.
On the electro-acoustic side, the first-order crossover is hand-wound in the atelier and tuned to preserve time-phase coherence. Drivers are selected one by one: Purifi woofer and Satori tweeter, in continuity with the F-ONE. Internal wiring by Kimber Cable. Dedicated stand available at extra cost.
| Configuration | Two-way, bass reflex, stand-mount |
|---|---|
| Midwoofer | 6.5" (Ars Aures modified) |
| Tweeter | 1" silk dome |
| Crossover | 6 dB/octave, proprietary N.P.A. |
| Frequency response | 50 Hz – 20,000 Hz |
| Sensitivity | 89 dB |
| Impedance | 8 Ω |
| Cabinet | Reinforced natural wood plywood 30-60 mm |
| Binding posts | WBT |
| Dimensions (W×H×D) | 22 × 40 × 30 cm |
| Optional stand | €1,800 per pair |
| Indicative range | €6,900 per pair |
Current range · Mid-High · Floorstander
The new release of the original F1 — the one Chuck Bruce reviewed in The Audiophile Voice as “the best loudspeaker he had ever heard in his listening room”. Fully renewed cabinet, revised crossover, updated componentry.
Two-way floorstanding, bass reflex. The cabinet has been redesigned in full — internal bracing, non-parallel wall layout, joints with calibrated rigidity — following the same constructive logic as the upper range of the maison. The lacquering follows the fifteen working stages of the Stradivari luthiers’ tradition; the paints are those used in the luxury automotive sector. Eight standard finishes, unlimited customisation.
On the electro-acoustic side, the crossover is first-order, hand-wound in the atelier and tuned to preserve time-phase coherence — the common thread across the entire Ars Aures catalogue. Drivers are selected one by one: Purifi woofer and Satori tweeter by SB. Internal wiring by Kimber Cable.
| Configuration | Two-way, bass reflex, floorstander |
|---|---|
| Midwoofer | 6.5" |
| Tweeter | 1" silk dome |
| Crossover | 6 dB/octave, proprietary N.P.A. |
| Frequency response | 35 Hz – 20,000 Hz |
| Sensitivity | 89 dB |
| Impedance | 8 Ω |
| Cabinet | Natural wood plywood panels 30-60 mm |
| Finishes | Mirror lacquer or matte finish |
| Binding posts | WBT |
| Dimensions (W×H×D) | 22 × 100 × 28.5 cm |
| Indicative range | €8,900 per pair |
Legacy line · Award-winning · Decca reference
Winner, in its first release, of the Blue Note Award in 2005. The third generation of an already reference loudspeaker — with cabinet joints of increased rigidity, Seas midrange, new crossover componentry, WBT binding posts.
| Configuration | Three-way D'Appolito, bass reflex, floorstander |
|---|---|
| Woofer | 11" (double cavity patent) |
| Midwoofer | 2 × Seas 4" |
| Tweeter | ScanSpeak Revelator, 1" silk dome |
| Crossover | 6 dB/octave, hand-wound |
| Frequency response | 30 Hz – 30,000 Hz |
| Sensitivity | 90 dB |
| Impedance | 4 Ω |
| Cabinet | Natural wood plywood staves, 30 mm |
| Finishes | Glossy or matte (automotive finishes) |
| Binding posts | WBT |
| Dimensions (W×H×D) | 25 × 125 × 50 cm |
| Indicative range | €18,900 per pair |
Flagship
The evolved flagship of the Sensorial line, launched in 2026. Estasi Evo continues the path opened by Estasi in 2015 — the reference loudspeaker that codified the Ars Aures sonic identity — bringing the project to the highest level of construction refinement the maison can sustain today. The only loudspeaker on the high-end market able to faithfully reproduce Mago Merlino, the grand piano that stands in the Fazioli Hall in Sacile, beside the factory of the prestigious Italian pianos.
Three-way floorstander, bass reflex with two 10-inch woofers. The midrange section is entrusted to a pair of 5-inch midwoofers, while the tweeter is a 1-inch dual-motor silk dome. The crossover is, as always, first-order, six decibels per octave, hand-assembled with Litz coils and very-low-tolerance selected componentry. Internal Kimber Cable wiring to Ars Aures specification. N.P.A. — Natural Phase Alignment — technology is applied to the filter to preserve temporal phase coherence between the emissions of the three ways.
The cabinet is entirely new: natural wood plywood staves with high damping mass, curved profiles, matte or mirror lacquer finishes on a special base coat. A new reinforced cabinet whose total weight has risen to 220 kilograms per unit, a direct index of the damping achieved. Built to order, in the atelier. Customisation with special sample-matched varnishes and Deep Audio reference connectors.
| Configuration | Three-way, bass reflex, floorstander |
|---|---|
| Woofer | 2 × 10" |
| Midwoofer | 2 × 5" |
| Tweeter | 1" dual-motor, silk dome |
| Crossover | 6 dB/octave, Litz coils, ultra-low-tolerance components |
| Filter technology | N.P.A. (Natural Phase Alignment) Ars Aures |
| Frequency response | 18 — 30,000 Hz |
| Sensitivity | 92 dB |
| Impedance | 4 Ω |
| Recommended amplifier power | 50 – 300 W |
| Cabinet | Natural wood plywood staves, high damping mass |
| Internal wiring | Kimber Cable (Ars Aures spec) |
| Finishes | Matte or mirror lacquer on special base coat |
| Dimensions (W×H×D) | 36 × 167 × 65 cm |
| Weight (per unit) | 220 kg |
| Indicative range | €98,000 per pair |
Legacy line
The stand-mount monitor from the Sensorial line, in historical catalog until 2018. For over fifteen years it served as the entry point into the Sensorial line — a compact loudspeaker with an HDF cabinet and mirror lacquer or matte finishes, in the Lamborghini and Aston Martin automotive tradition.
Adopted as a reference monitor by Decca Records and other international recording studios. Componentry was selected one by one in the atelier to reproduce with neutrality the tonal signature of the Sensorial line — particularly appreciated on acoustic material and in the mastering of live recordings.
A reference monitor in several music academies, such as Maestro Roberto Prosseda's Musica Felix. For the Sensorial line, the Midi Sensorial Mk III remains in current production. Kept in the archive for its historical value and for ongoing support to customers who still own a pair.
| Configuration | Two-way D'Appolito, bass reflex, stand-mount |
|---|---|
| Midwoofer | 2 × Seas 4" |
| Tweeter | ScanSpeak Revelator, 1" silk dome |
| Crossover | 6 dB/octave, hand-wound |
| Frequency response | 60 Hz – 30,000 Hz |
| Sensitivity | 90 dB |
| Cabinet | Natural wood plywood staves, 30 mm |
| Finishes | Mirror lacquer or matte (automotive) |
| Binding posts | WBT |
| Dimensions (W×H×D) | 25 × 43 × 37 cm |
| Dedicated stand (optional) | €2,500 per pair |
| Indicative range | No longer in production |
Legacy line · Flagship · Transmission line
The maison's flagship. Launched in 2015 and welcomed with a long-form review by Matej Isak on Mono & Stereo. Three-way with dual-cavity transmission line — the constructive solution that lets the loudspeaker restore the low register without the inertia of traditional bass-reflex and without the efficiency loss of sealed systems.
Each pair requires up to eight weeks of manual work. The cabinet — massive bracing, non-parallel walls, dual cavity with a labyrinthine path — leaves the Castelvetrano atelier after the fifteen working stages for the final varnishing in the tradition of the Stradivari luthiers. The varnishes are those that Lamborghini and Aston Martin use on their bodywork. Eight standard finishes, unlimited customisation.
On the electro-acoustic side, the crossover is first-order, hand-assembled and tuned to preserve temporal phase coherence. The drivers are selected one by one from the best of Seas, ScanSpeak and Focal, in line with the philosophy that runs through the entire Ars Aures catalogue. Internal Kimber Cable wiring.
At the REC & Play event, held in the prestigious Fazioli Hall in Sacile (PD), Estasi enchanted the superintendents of Italy's major theatres and the audience alike, faithfully restoring the magic of the Fazioli grand pianos.
Three-way floorstanding loudspeaker, bass reflex transmission system. Built with 30 mm natural wood plywood staves, Estasi features a D'Appolito configuration for the mid-high frequencies, with two 5" Seas midwoofers and a silk-dome, dual-motor ScanSpeak tweeter. For the bass section the loudspeaker carries two 11" woofers from France's Focal, positioned according to the Ars Aures double-cavity patent and working in parallel. Hand-built crossover with ultra-selected componentry. Kimber Cable wiring to Ars Aures specifications.
High glossy or matte finish with luxury automotive varnishes
The state of the art in loudspeakers
Frequency response 18hz-30khz
Efficiency 92 db
Filter 6db/octave
Dimensions (WxHxD) 36 x 167 x 65
| Configuration | Three-way D'Appolito, bass reflex, floorstander |
|---|---|
| Woofer | 2 × 11" (double cavity patent) |
| Midwoofer | 2 × Seas 5" |
| Tweeter | ScanSpeak silk dome, dual motor |
| Crossover | 6 dB/octave, hand-wound |
| Frequency response | 18 Hz – 30,000 Hz |
| Sensitivity | 92 dB |
| Cabinet | Natural wood plywood staves, 30 mm |
| Internal wiring | Kimber Cable (Ars Aures spec) |
| Finishes | High glossy or matte (luxury automotive) |
| Binding posts | WBT |
| Dimensions (W×H×D) | 36 × 167 × 65 cm |
| Indicative range | No longer in production |
Finishes
Eight standard finishes, applied in fifteen stages in the tradition of Stradivari luthiers. The varnishes are identical to those of Lamborghini and Aston Martin. Any RAL is available on request.
Solid oak, natural polished finish
Solid iroko, naturally polished.
Designo Mocha paint, with a metallic finish
Wine red, merlot tone, mirror-polished
Ultra-glossy black lacquer, "grand piano" finish.
Metallic blue, glossy lacquer
Pure white, mirror lacquer, classic piano
Metallic paints used in the luxury automotive world
Do you have a particular colour in mind? A fabric swatch? An automotive reference? We'll make it.